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November 2. 01. 5Tonight, Let me begin with a preface to a letter I wrote a few weeks ago from my hotel room in Berlin while on our final tour for this album. I felt the need to write this foreword in light of the heartbreaking tragedies of Nov. As has everything, it seems.. The Saint Cecilia EP was put into motion back in October of this year as a celebration of life and music. The concept being that, as our world tour drew to a close this week, we wanted to share our love of both with you in return for everything you have given us. Now, there is a new, hopeful intention that, even in the smallest way, perhaps these songs can bring a little light into this sometimes dark world. To remind us that music is life, and that hope and healing go hand in hand with song.
That much can never be taken away. To all who were affected by the atrocities in Paris, loved ones and friends, our hearts go out to you and your families. We will return and celebrate life and love with you once again someday with our music. As it should be done. Dave Grohl. 8 November 2. Hey. Thanks. For real. It was in Austin, Texas March 1.
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Sound City Players” when I was given a small, but very relevant and perhaps prophetic gift from my Sound City movie producers Jim Rota and John Ramsay. An empty journal, with a note that said something along the lines of, “Congratulations on everything Sound City... It was the most beautiful way to end something that I wanted so badly to last forever: with a new beginning. The basic concept of the Sonic Highways album and series was born right then and there, in a small backstage room surrounded by mountains of Lone Star beer and Stubbs BBQ. Removing the Foo Fighters from our comfort zone and challenging the process from top to bottom, it breathed new life into the band, and set us on a journey that unquestionably exceeded any of our simple expectations. And now it has led us here. To another beautiful ending.
So, where do I begin? We owe it all to Mexico City. Unbeknownst to them, the people who attended those two concerts back in December, 2. Foro Sol stadium helped fund the filming and recording of the bulk of the Sonic Highways project.
They were the fuse that lit this little firecracker, baby. Without those gigs, many may have never heard the incredible and truly inspiring life stories of Buddy Guy, Steve Albini, Ian Mackaye, Tony Joe White, Zac Brown, Dolly Parton, Roky Erickson, Gary Clark Jr, Bruce Pavitt, Fred Drake, Terry Lickona, Joan Jett, Steve Rosenthal, Nora Guthrie... But, beyond giving our band the equivalent of a rock and roll university year abroad, they gave the entire world the most priceless gift: Inspiration. So.. Gracias a todos, Mexico.. Before long, our rag tag crew of ne’er- do- wells was stumbling from city to city, coast to coast, taking in every drop (!) of 1.
American culture we could squeeze. Dancing in a New Orleans second line parade, laying under the desert stars in Joshua Tree, walking the streets of Chicago in - 3.
American dream come true. Our only responsibility was to share it with you, and the brave people of HBO trusted us with that much. But, without Nina Rosenstein, we would not be the people who we are today. Looking back, she gave us something immeasurably generous: some of the greatest memories of our lives. These people and places that we experienced have filled our hearts..
So, thank you, Nina. We are yours. But, focused on the moment, we never in our wildest dreams could have imagined the whirlwind 2. We just put one foot in front of the other, and kept moving.. I must admit, I never looked at our schedule. I was too scared. I knew that this was it.
This was the big one. There was talk of stadiums, and anniversaries, and TV shows. South Africa, Korea, Colombia. Letterman and Glastonbury. It all seemed too good to be true! But, as always, we kept our heads down and tried to appreciate every single moment as it fled.
Because, you realize, none of this was ever supposed to happen. As we approached our twentieth anniversary, it was hard not to look back on all of those years and smile while shaking our heads in wonder and disbelief. From the Mike Watt van tour of 1. RFK stadium in Washington DC (my hometown gig) July 4th, 2.
It still boggles the mind. But, the spoils of these blessings are not lost upon us. We count every last one. Even the disasters. A lucky break? Yeah, you could call it that. Gothenburg was a swift reminder that life is short, and that we’re all here to live it together, no matter what adversity you’re faced with.
The perfect remedy!) Sure, weeks and weeks of shuffling around hotel rooms on my butt with a cast on my leg, trying to pack my suitcase alone before lobby call got pretty fucking stale pretty fucking quick. But, as always, I just put one foot in front of... And then everything changed.
The atmosphere. I was no longer afraid to look at the schedule, I was glued to it. The challenge that we faced from there on out became more of a mission, or a dare, if you will. And it showed. Pat’s smile got even wider (an infallible barometer of all things), Chris’s solos got even faster (thank God someone knows what they’re doing up there), Nate’s stage moves more daring (I once noticed him just to the left of me) and Taylor’s drum set.. Vlc Meida Player All Windows Commercials. But not without the help of scores of hardworking bad asses that some might call the Foo Fighters road crew (we like refer to them as family, in a very Manson Family kind of way..) They ultimately deserve the lion’s share of credit for keeping this old circus tent erect for the past 6 months. So, let’s all have a nice, warm diet Coke for them tonight.
They’re the hardest working motherfuckers in the business. Cheers. And so we trudged on.
Any fatigue was met with an explosion of energy once the curtain went up. Any pain was met with the adrenaline of thousands of voices singing along.
Every one of you kept us alive for a while there. One night, at a point where I felt like I was at the end of my rope, it came to me that these few hours we have together every night were something like a heavy blanket to retreat under. I could always rely on our time together to get me to the next stop. Again, and again. From Chicago to Cesena. That being said.. You just.. know. You get that feeling that, if you’re not careful, you’ll run out of bread crumbs to find your way home and be lost in the woods forever.
It hit me a few months back, crept up on me and tapped me on the shoulder as if to say “Hey.. A sobering reminder that all good things must come to an end. Of course.. we could keep going. After all, we’d made it this far, right? What’s another 2.
Around that time we arrived in Austin, Texas for the Austin City Limits festival. A massive gig, two weekends and hundreds of acts, it was to be some of our final American performances for this album. There’s a certain bittersweet relief to that.
On one hand, you’re carrying these monumental experiences under your wing as you anticipate life outside of a tour bus. On the other hand, you fear that the thrill and joy of sharing music with people all over the world will leave you like an empty shell when it’s gone. It becomes your everything. And that’s terrifying.
The Saint Cecilia Hotel, named after the patroness saint of music, is known as “A lush retreat from the world”. And, believe me, that it is! Austin neighborhood. As our van pulled up in the wee hours of September 3. I was struck with a rather impulsive idea: to record some songs on our days off to give to the world as a “thank you” for the last 2 years.
Though there’s a world class recording studio just on the other side of the fence (Arlyn Studios, look it up.), the hotel manager, Jenny offered that we record in the hotel. A most generous, but unrealistic offer. Though, after rolling it around in my head a few times, it made perfect sense! Returning to the city where the entire Sonic Highways concept was born, loading in one last time to a room that was never designed to be a recording studio a la Sonic Highways, and making some music! I was too tired to figure that kind of shit out, so I hit the sack, woke up the next morning and started making some calls.. By 6 pm the next day, the office was transformed into a control room and the bar was littered with microphones and cables. Amps were in the kitchen.
Drums in front of the fireplace. Instant studio, courtesy of the legendary Kevin Szymanski! More on that another time..) Margaritas were made, friends came to visit, the sun went down, and before long we started making enough noise to drive the neighbors to start drinking along with us. Riffs and ideas were thrown around, songs that were lost in the shuffle over the years, songs that were left unfinished. Like a musical retrospective, we were going through decades of songs no one has ever heard, pieces left on the cutting room floor from every album. Our own sonic scrapbook.
Was once called 7 corners for all you die hards out there..) Without the usual pressure or expectation of making an “album”, we sat happy and relaxed as we played. A virtual “This Is Your Life” of the Foo Fighters. It was so good, but again, bittersweet knowing that it was all soon coming to an end.
By midnight, the Preservation Hall Jazz Band had arrived, and the “session” turned into a full on party. Guitars were abandoned for horns and the room started swinging (spinning?). People danced between the cables and microphones, dancing behind the bar, strumming acoustic guitars on the patio.
Danny Clinch did what Danny Clinch does, capturing the moments in his beautiful pictures between cocktails. Gary Clark Jr. As the hours passed, the atmosphere had reached exactly what every recording experience should be: A celebration. Always record!” said Jack Black in that infamous Tenacious D episode from years ago. Truer words have never been spoken.
Because you just might miss something that you’ll never get back again. Moments that happen once in a lifetime. By the time that weekend was over, we had recorded 5 songs in that tiny room.